Berlin under-ground meets Hong Kong sub-stance.
Does the power of great Techno lie in its abstraction or in its transformative repetition? Or, is its glory to be found in the ecstatic sub-spectacle this genre so often evokes—the swaying of bodies and even entire caves, shaken by the pound of one single kick drum (and its attendant feet)?
In any case, if you want to experience why Techno renders the many feelings that words cannot, then come to see Berlin's 'Destroy All Monsters' label head Zuckermann put it on with Hong Kong's substantials Jo.D & Jeremy Cheung for a series of abstractions you feel in your bones but can never name.
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