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At first, I thought this story would pre-write itself. I'd heard the comments: "He doesn't use headphones". "He can't mix". "His show in Guangdong was crap". "He cleared the dancefloor" "If he's gonna DJ, he should practise. He wouldn't tour with New Order without rehearsing". Sounds like we're in for a wild ride. I get to Tribeca about 0115. A crowd of at least 120 people are patiently waiting to go inside. They all have tickets. Door security tells me the police are inside, doing either a head count or looking for drugs. Someone remarks "Typical police. They've forgotten to bring ther own. Again". Some people, including ligger James from Argentina, have been waiting for two hours. It's steamy hot. A small sign reads Full House. The crowd are cut off from the a/c inside. I'm impressed by their restraint. The police do seem to be over-zealous in their monitoring of the rave scene. Anyone remember the bad old days at Queen's nightclub? Welcome to the re-runs. You don't see the police bursting in midway through the Opening Concert of the Arts Festival. Screaming and shouting. Turning on the lights. Silencing the Orchestra. Breathalysing the first 10 rows. Would make one helluva video though.. While, this isn't the venue for a debate on the pros and cons of drug legalisation, please note two points. 1) Hong Kong's origins as a global fiscal megapolis stemmed from the (then legal) Opium Trade. 2) Next time, you're on a ferry or boat, check out the city skyline. See how many buildings look like syringes. Finally, OMD's 2nd LP title "Architecture and Morality" makes perfect sense.
I've been waiting with James for about 40 minutes. Inside, we see PH being escorted upstairs. Time to play my trump. "I'm from HK Clubb-..." "Go, right on in mate". ("Coming, James?"). DJ Dicky (?) is blasting out hard electro, some subliminals, good long fuzz breaks. The crowd are happy. I position myself back of the DJ booth. There's light to write and the bar by my side. The lady cashier is making change, swiping cards, checking bills with total aplomb. She's unfazed by the noise coming from 10 feet away. The lights go on and the sound is muted as another police visit is announced. This time, apparently, it's a "license check". The crowd inside are indifferent. The crowd downstairs is getting larger and hotter and no closer to entry. Tribeca, you must try better. James has vanished. I'm chatting with Sebastian from Germany who's glad he made it. A sexyy lovetet of ladies wonder what I'm doing. I promise to mention Yippy, Kelly, Karen Chan, Sheila Wan, Pansy and Melissa in the story. It's nearly 0240 and Peter Hook is about to make his second debut in HK (I'll explain later).
The first track is a piano-enhanced mix of "Love Will Keep Us Together" and slows the musical pace right down, but not for long. A string of 80's styled and inspired electro-throbbers, mixed with some digi-dub keep the crowd dancing. A splendid version of "She's Lost Control" is in the mix. (Is it Joy Division meets Martin Hannet?) A chorus of "I don't take drugs, cigarettes or go out at night. I just fuck" features lots of syncussion and vocodervox. It's another highlight after "Control". PH has pulled out a pair of headphones, but hasn't used them yet. His mixing isn't seamless, but that's just one technique. Overlay, Cut-N-Paste, Mix and Match all work. I remember that James Lavelle and DJ Hell can't mix, but they're great producers. From where I am, PH's CD case is 2 feet away. Most of his discs are the equivalent of white label dubplates with 1-2 tunes on them. No need to have a cue anxiety attack. He's certainly enjoying himself. Dancing up and down. Kicking his right leg backwards like a reverse Can-Can-cum-prancing Pony. The crowd is warming to his style which flows along. One tune melds the Blue Monday drum pattern with a chorus of "Fly across the restless sea". A little pre-taste of New Order glories to come.
By this time, PH has signed about 20 autographs, on tickets, bits of paper, the flyerboards surrounding the DJ booth, somebody's shoulder. (Hell, I got 2 myself!). Notes for requests are proffered, which he reads, smiles, and puts to the left of the DJ mixer. People tell me, he's really caught the mood tonight. Into his second hour and it's getting harder. "Mr. Brightman" by The Killers raises a roar of approval, especially from Jim on my left. The Sex Pistols "Anarchy" flows into "24 Hour Party People" by Happy Mondays. (Possible Oakie mix?). Some synthi-Bollywood strings over gothbeats and stomping dub bass. Some John Digweed sirens come and go. Blur's "Song 2" as done by Armand Van Helden. Good control of the tension/release dynamics and pacing. He's worn his headphones twice as well - once for 2 minutes, once for 1 minute.
A synaptic spasm of sense-memory ripples through the dancefloor as PH moves into the New Order section of the set. "Love Will Tear Us Apart" (nice counterpoint to the opening tune), "Blue Monday" and "Crystal" are extended mixes driving the dancers to possible multiple auralgasms. I've never had so much fun listening to a 50-year old man playing his own records. There's a country-billy version of "Folsom Prison Blues" which fits weirdly-well into the selection. At this point, PH has done about 2.5 hours and the promoter is trying to get him to wrap it up so David Lam can take over. PH promises "one more song" (and plays three) before stepping down. So, what's the message tonight? Don't believe the hypers!. Don't judge a book by its cover!. Don't budge a Hook before it's over, either!
We walk out together. I tell him I'm the only person in the room who saw New Order make their HK debut at Andrew Bull's Canton Disco in mid-1985. (Told you I'd explain later.). He says he's exhausted. His 10-day tour is over and he's glad to be going home. As we part, he calls out "See you in another 25 years, la" "Make it much sooner than that, mate" I reply. I stroll away, into the sunrise, whistling a happy tune. We Fade To Grey. The End.
Review by Nick L.
There's about 40 or so people chilling outside Grappa's this Thursday night (eve of Good Friday) for the John OO Fleming gig. Suv is also playing tonight, so there could be divided loyalties (right Manek!). It's nearly midnight. The place is filling up. Ewan is banging out some hard rocking sounds, like it's already 4 am - there's a nervy, wired sort of feeling to the sonic assault, possible subliminals, lots of drums, space bass etc. He ends about 0015 am.
Jason F is on next, working the room into a frenzy for JOOF, due on about 0130 am. Jason has opened for Paul Van Dyk at HITEC and Lisa Lashes at Grappa's last October, among others. Clearly an up and comer. He handles a midset sound failure without getting too upset. and finishes with some deft scratching as JOOF gets ready.
I don't know too much about John's style. I figured he's sort of Sasha-Digweed spacy daze - perhaps some of PVD Politics of Dancing Vol 1. He starts with some Giorgio Moroder inspired electro mixed with Chemical Brothers style breakdowns and mutates into some Eddie Halliwell hard noise (the mid-section of EH's HITEC debut last Xmas Eve. He also sounds like Israeli progtrancer Moshic channeling airport tannoy messages. Overall, JOOF sounds harded than I thought, more like PVD's new direction, but I promise, I didn't yawn once during his 2 and a half hour workout.
DJ Tynee, a young lady and possible friend/protege of Jason F? takes over from John at 0400 and plays the midnight set. Tunes with vocals, some wierdgood breaks and a happyface, keeps the slowly dwindling crowd satisfied and sorta dancing. My approximate headcount is about 600 or so people, but it was dark and i may have counted some twice. Good to catch up with regular fellow clubbers, Karina, DY and PK (tho' you all left rather early). Grappa's is looking like a good choice for a late nite venue. It's hosted Lisa Lashes HK debut, the return of the Plump DJ's, JOOF, and breakbeat duo, Hybrid, the next night. Drinks are strong and my ferry pier is a short stagger and hop away. Top night and many thanx to Nick Willsher and Manek for all their help. See you at the next gig.
Review By Nick L.
Terry Jones, founder, creative director and editor-in-chief of i-D magazine, arrived in Hong Kong from London to officially kick off i-DENTITY, an exhibition celebrating the magazine’s past 25 years this April. The exhibition is the Hong Kong cultural centre showed covers and impressive articles covering the magazines history on a variety of walls with celebrities and fashion industry guests joining the party.
Supported by Diesel the event was a success with djs, music, drinks and networking over a weekend evening.
Review by Nick W.
When I arrived Jason F was spinning already (about 1am) and the venue was already rammed up, but you could still move around and it was not to hot as the aircon was working well.
The layout had the stage in the middle and jason played some excellent remixes of well known tunes in electro and breaks versions which got the crowd very warmed up and with their arms in the air. About 2.30 ish the Hybrid duo on tour came on and played back to back having time to chat to us and sign some posters for our site giveaway.Great show, sound and turn out. was tired after so many public holiday parties but Hybrid and Jason did quickly wake me up.
Review Nick W.
Arrived quite early at Tribeca as I knew the que would be quite long, two rooms one hip hip and the other more breaks and a bit of Electro. jason F just came on and mixed both music styles in the main room together.
It was full but comfortable and the hip hop room at the front seemed to be solid, making quite a seperate venue of people interested in two different kinds of music in their own areas.
james came on when there were still quite a lot of people waiting down stairs but from what I heard those people where able to get in and enjoy James great tune selection. Would have liked toe booth to be overlooking the whole club, I am sure James would have liked that too, but that is how the clubs new design was that night.
Great vibe and crowd with a busy bar, hopefully more bigger venues can be found for such a music combination event.
To have a 20 year old DJ fly in from overseas to entertain a crowd which is demographically on the senior edge is already quite a hard stunt to pull. But then to see the same 20 year old DJ make the crowd lose control in the club, that is phenomenal. From 1.30 am onwards, DJ NYK, Indiaâs youngest # 1 DJ, was rocking the exclusive Champagne Room at Sugar to celebrate Year of the Dog on Chinese New Year.
After taking a short tour of Lan Kwai Fong and the adjacent SOHO area, NYK walked into Sugar to a packed house of anticipation and a lot of whisky being poured on ice. With support from the infamous 3 Phat DJs, host and organiser MC-G stepped up to the stage to welcome to the young superstar to Hong Kong. He sure made his presence with a dramatic audio intro that bewildered most of the crowd with excitement, for them to then hear the faint vocals of âJHALAKâ (from the movie Aksar) humming over deep house grooves through the massive sound-system.
DJ NYK kept it pumping for hours, and even party-whores like myself couldnât last! We hope to welcome back DJ NYK and hopefully have more DJs like him touch down in HK. Special credit and thanks goes to the sponsor Sunny Lakhwani, support DJs, promoters and organisers â the 3 Phat DJs, MC-G and Asian Flava.
Donât forget to check out the all the cheesy smiles in the Photo Section.
Review by DJ Guru
Heading back into the marquee, the sounds switched from a heavy-thrashed up set to something much more to my taste, nothing but funk! The Uptown Rockers had the crowd in a booty-shaking mood, and thatâs what the funk is all about.
They delivered a respectable set, mixing up some raw and jazzy beats with all sorts of classic and new funk elements. Without a doubt, their performance was a good touch for a Hong Kong music festival.
Review by Guru
Founded on a collective impulse of friends and colleagues to create a vibrant music festival Pop Montreal has grown over the course of three years of hard labor to include a broad cross-section of art forms and music. This year has seen some of the most captivating, fresh and innovative music in the underground cultures of North America, showcasing an umpteen number of smaller artists on the verge of becoming something huge. Pop Montreal aimed to bring together independent musical talents from Montreal and abroad in âa festival that celebrates the intangible and transcendent value of music and artâ.
Attending three of the fifty some events I was able to only get a small glimpse of the big picture, but from what I did see I can guarantee that the organizers were true to their word and âthrew the greatest party in the worldâ. Although a number of the headlining acts backed out of their performances, such as Architecture in Helsinki, Poni Hoax, and Foxy Brown, the organizers quickly pulled up their socks to find quality replacements. Of the shows I did attend the Kiss Me Deadly performance at Casa Del Popolo (co-hosted by Alien8 Recordings) was on the top. Not only was the music as a whole great, but it was the first time in a long time that I had seen a band formed from such talented musicians as individuals. It was obvious that each member made a direct contribution to the charismatic musical masterpiece that was showcased.
Way to go Pop Montreal for hosting such a successful festival and for bringing such awesome music to the people of Montreal!
Review by Melissa Burton
Magneta Lane: Young, talented, and energetic. These girls really know how to put on a great show, I almost can't believe we still have the luxury of catching their hits in these smaller intimate venues like Main Hall.
The Decade Dance party at the Main Hall is a monthly event, hosted with the intention of bringing smaller indie bands (with females in the leading roll) into the spotlight. Already starting to attract quite a following there were over a hundred people in the Main Hall for this Friday night event, and who could go wrong with four awesome bands heading up the show. An added bonus: girls get a free drink drink at the bar!
Look for franco-electro rockers Echo Kitty to blast the roof of the venue next month.
Review by Melissa Burton