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Multi-millionaire property developer and anti-rave fanatic Rick Caruso vowed to step up his campaign to ban electronic music events at stadiums in the US this week after more revellers were hospitalised following the New Year’s eve party at the LA Sports Arena.
“I'm going to continue to fight for a ban on the raves and I frankly think they should be made illegal in the city and the county,” he told LA Weekly reporter Dennis Romero.
British rap star Mike Skinner admitted this week that becoming famous with the Streets didn’t make him any happier at all, revealing that he’d instead became ‘unnerved’ when he realised he was responsible for his own mental wellbeing irrespective of external events.
“Before you're famous, you think that that pendulum of emotions is down to your circumstances. You think: I'm having a good day; I'm having a bad day – something shit's happened,” he told the Observer’s Caspar Llewellyn Smith.
“You put in [to the equation] the incredible amount of money and opportunity with women and free clothes and screaming audiences… but you still have good days and bad days,” said Skinner.
His realization matched the assessment of British celebrity hypnotist Paul McKenna, who this week published a new book called ‘I can make you HAPPY’ in which he listed various techniques for dealing with depression.
As well as recommending visualizing yourself stepping into the persona of someone you admire, the lifestyle coach advised looking upwards as much as possible instead of downwards, to avoid feeling ‘hemmed in, with few possibilities’
“Some of my clients are rich and famous and some are not, but I’ve discovered that money and fame ultimately make no difference,” he added.
“I’ve also worked with people who had everything — a great job, a family and good health — but they still weren’t happy. Indeed, they felt guilty and angry with themselves for not enjoying their good fortune, and so depressed that they couldn’t see any point to their lives.” (Daily Mail: http://bit.ly/fgczDt )
Uber-rich New York star Mark Ronson, meanwhile, admitted ‘taking the money and running’ from being one of the last decade’s first ‘celebrity DJs’ this week, though likewise revealed his fame has come with unexpected consequences.
"Sometimes when I meet someone, they'll say, 'Wow, I expected you to be a (jerk),” he told the Daily Gleaner, "I don't particularly know why that is, maybe it's because of the way I look in my videos,” he speculated.
Article by Jonty Skrufff: http://listn.to/JontySkrufff
Vegas superclub Rain announced this week that they’re to launch a weekly ‘electro’ night called Clash, with resident DJs including Tiesto sideman Diplo.
Rain publicist Jimmy Aston said ‘Clash Fridays’ will run alongside Paul Oakenfold’s long running Perfecto Saturdays and told the Las Vegas Review Journal ‘we still kill it every Friday and Saturday’.
"Electro is doing more numbers bodywise than regular house music," he added.
Details of the new electro Clash night emerged just as Vegas’s newest superclub ‘Marquee at The Cosmopolitan’ opened for business with a residency hosted by house veteran Erick Morillo.
The Las Vegas Sun reported that US$4million dollars of the $60million spent on the 4,000 capacity club went on the DJ booth alone though said its ‘main attraction will be ‘amazing women serving as hostesses and cocktail servers (wearing) provocative mini-dresses with naughty garters and stockings.’
Trance titan Tiesto also kicked off a season on monthly Saturday night Vegas parties last weekend at the Hard Rock Hotel’s club The Joint, while Puff Daddy made two personal appearances at Pure at Caesars Palace and LAX at the Luxor.
“You will have to go to the plastic surgeon to get that smile surgically removed from your face upon getting the chance to hang with Sean Combs not once, but twice this weekend,” Las Vegas Review-Journal reporter Jason Bracelin advised before the parties.
“Well, you don't really get to hang with him, but you can stare at the man awkwardly from a distance,” he added.
Article by Jonty Skrufff: http://listn.to/JontySkrufff
Paul Oakenfold has released an updated version of his award-winning Radio 1 two hour Goa Mix which became the UK station’s most requested broadcast after it was first aired in 1994.
The newly tweaked mix includes tracks from Vangelis’ seminal sci-fi classic Bladerunner, Marmion’s proto-trance classic Schöneberg and Leonard Bernstein & New York Philharmonic’s take on Adagio for Strings plus a smattering of new tracks and re-edits.
“I've been asked to released it hundreds of times before but it wasn't till now that it seemed right to do so,” the definitive superstar DJ said in a statement explaining why he’s released it now, “I've re-crafted it so it's all in key and much tighter,” he added.
The release was greeted with cautious enthusiasm by top Indian DJ Arjun Vagale from Jalabee Cartel.
“I remember a Paul Oakenfold underground Goa mix floating around years ago and at the time the mix was legendary just like the man. He was at the peak of his career and honestly was an inspiration to us all,” Arjun told Skrufff.
“Looking at this mix, and its tracks, a lot of familiar names come up and it prompts lots of old memories of the Goa rave scene which exists no more . .
. Wow, I can’t believe he's finally releasing it,” he said.
“The man's a true legend and pioneer, in Goa, India and beyond,” Arjun continued. “For us ‘classic Oakey’ fans it was a bit of a shocker when he decided to move to the mainstream and produce pop records. But still, his Perfecto mixes of the late 90s and his Global Underground compilations remain prized possessions. Maybe this 2011 mix will bring Oakey back to the
underground: we can only wish so,” he said.
Sunburn Festival director and DJ Nikhil Chinapa was less excited about the belated release of the mix, admitting he’d paid little attention to both DJs and track titles when he first started partying in the 90s.
“The songs are from an era where all I was bothered about was dancing and I never tried to find out the names of songs being played,” Nikhil explained.
“To borrow from a good friend of mine who said (speaking about vinyl Vs CDs), "It’s not about the medium, it's about the music. I felt at the time, that the music mattered more than who was making it. Personally, I still feel this is true,” he added.
Despite his assertions, Nikhil’s been closely involved in bringing out international DJs including Armin Van Buuren and Roger Sanchez to Sunburn and has booked headliners including Ferry Corsten and BT fort this December’s Sunburn event.
“Paul Oakenfold is not as well known here in India as Armin and Tiesto (and now David Guetta) are but he isn't an obscure name either,” Nikhil added, “People in the scene are aware of his sound and his contribution to the global dance music scene.”
Both Indian DJs also noted the legacy Goa’s original trance scene continues to have in India with psy-trance still a force to be reckoned with amongst clubbers.
“The psy scene is still very big in India and we always have DJs coming and playing. The outdoor raves have moved into smaller cubs, but Goa still has its legendary New Years Eve outdoor parties and the occasional word-of-mouth raves,” said Arjun.
“For clubbers and old school DJs, psychedelic trance is almost in our DNA, we grew up with it all around us and even today in our techno productions, you might just find hints of it,” he suggested.
“Psy still has a strong following in India and it's actually growing steadily. The energy in the music is something the youth can strongly relate to and vibe with. As you get more involved with the music too, its multiple sounds, layers and moods create powerful associations with the genre,” he enthused.
“Goa has been and always will be the home of psychedelic music globally.
Even though strong scenes have been established in Mexico, Brazil, Japan and Portugal, in my opinion, Goa still maintains a mystical hold and soft spot (can we call it that?) for many psy artists.”
Article by Jonty Skrufff (http://listn.to/JontySkrufff )
The Swedish House Mafia and Mormon DJ Kaskade criticised organisers of the Miami Winter Music Conference (WMC) this week after the long running event announced their 2011 dates as March 8 to March 12, two weeks before Ultra Music Festival.
Tweeting a series of posts including ‘If you want to experience all the parties at Miami, don't go on March 8 - 12. Go at the end of the month for ULTRA and all the club events!” Steve Angello sounded angry, as did Amy from his Swedish House Mafia’s management.
“WMC. So the news hit,” she wrote in a message posted on the SHM Facebook page.
“Who made the decision . . . someone who worked all year to make electronic sell...who practised what you preached?” she continued, “So....as Eminem said....will the real WMC please stand up.................let's discuss this publicly.”
Claude Von Stroke was more restrained tweeting ‘super strange Miami WMC dates announced today . . March 8th? I'm already disqualified. Bummer’ while Kaskade was considerably crueler.
“WMC - R.I.P. - It was a good run, we will miss ya'! Now we can just start calling it what it really is, Spring Break. Guidos Unite!” he scoffed.
WMC organizers responded by putting the blame on Ultra Music Festival, accusing them of reneging on a deal to stage their event ‘during and in conjunction with the 2011 Winter Music Conference’
“We were blindsided by Ultra’s last minute announcement this morning,” WMC claimed in a statement posted on their website on November 17.
“WMC remains committed to the artists, delegates and fans that have made the program what it has become over the last 25 years,” they continued.
“The festivals, Ultra and many others, are amazing experiences for the fans and artists alike. By contrast the quintessential WMC experience is really about the camaraderie between pioneering artists and industry legends,” they added.
Luis Puig, the owner of Miami’s highest profile superclub Club Space was considerably less diplomatic in an incendiary blog posting in which accused Ultra of trying to ‘monopolise WMC’ by signing exclusive contracts with superstar DJs preventing them from playing anywhere else.
“What this means to the consumer is that you will no longer be able to enjoy your favorite DJ for extended sets after midnight at your favorite clubs, instead you will be forced to listen to them for a one hour set before midnight in a crowded field of dust, mud and ravers. You can also forget about seeing them at your favorite pool parties,” he warned.
“This year you have a chance to make a difference and bring back what Music Conference and Electronic Music used to be about. You can either come to Miami on the last week of March, support the greedy monopoly, keep taking it up the ass and lose your right to seeing your favorite DJ at your favorite club or you can come the second week of March, claim back your wallet and your nightlife.”
“See you the second week in March,” he added.
Article by Jonty Skrufff (http://listn.to/JontySkrufff )